So Ron - I tried a modified version of your method and was absolutely stunned with the finished pen.
Instead of using a bare finger, I thought I'd try a nitrile glove and see what happened. Well, the results were spectacular - my opinion of course, but as soon as I get a picture of this pen, I'll post it to the "show off your pens" forum and you can tell me what you think.
Since the glue doesn't react to the glove, the glue stays "wet" longer, allowing time to smooth the glue nicely.
I used Woodcraft's mid-viscosity "Super T" for the CA product. I found I could cover the blank with two drops and smooth it back and forth several times before it began to get tacky.
I used the lathe's slowest speed, 500 rpm. Very nice - no glue "sling", everything was predictable. A drop of CA, a few passes back and forth and just back away and watch it dry. To be on the safe side, I waited 15 minutes before touching it to give it plenty of time to dry.
Then I sanded the waves off with 400 grit and worked from 600 through 2400. Then a second coat, same procedure. Sanded a second time and polished with two rounds of HUT's Perfect Pen Polish. Just Amazing.
Bear in mind that the blank I used was nothing spectacular, a stick of Honduran Rosewood I've had for ages and used because I felt I was willing to risk losing it if the process went south. But what a nice surprise. That neglected blank looks spectacular now! Certainly one of my more beautiful pens.
Thanks to everyone for all the CA contributions, I read them all with keen intrest and I believe I've come up with a hybrid process that suits me just fine. Having tried many, many wax and lacquer finishes, I wanted something with high gloss and better durability. I've been looking for an "ultra gloss" finish for my wood pens and using this method is like hitting the jackpot.
Dan Hurd
Unionville, VA [

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