juteck
Member
Kelly -- nicely made pen! The choice of materials and pen plating go well together. I really like the grooves you put in the metal bands - that detail sets it off nicely. I'm still struggling with adding thicker metal bands like this on my pens, so I can appreciate the effort in glue ups and drilling to get to this point so quickly in your new turning career. And for your first pen, you took your time and kept a great level of detail on your fit and finish. Your glue joints look tight, and your assembly looks flawless. I think you have the glue ups, turning, polishing, and assembly down pat, so at least you can put your focus into new designs. Looking forward to seeing what you come up with! And congrats on your first pen sale! Keep up that relationship you have with your dentist, and maybe he'll buy one for each of his staff and collegues!!
I hadn't thought of using the golden ratio with laminations on a pen like this - I think it's an idea worth exploring some more. I've always used it with larger turnings for form height to diameter ratio, max diameter to min diameter ratio, height of max diameter relative to total height ratio, box body to lid ratio, etc. From your original photos showing the pen as un-capped, the cap looks great alone, and the body looks great alone. I can see how you used the golden ratio in each, although not exact as you mentioned. With the pen capped, the two pieces don't seem to be as balanced. I'm debating in my mind on how to apply the golden ratio on a capped pen like this, since your canvas is long and narrow, and the ratio between the length of the pen body and pen cap don't fit the golden ratio. In other words, should you use phi to design the cap and body separately, or do you apply it with the pen capped? I think with the talents you've shown already on this pen, it's worth exploring this ratio with other design layouts, and even eliminating some of the restricting components of the kit to make that ratio fit even better.
Good luck, and looking forward to seeing more.
I hadn't thought of using the golden ratio with laminations on a pen like this - I think it's an idea worth exploring some more. I've always used it with larger turnings for form height to diameter ratio, max diameter to min diameter ratio, height of max diameter relative to total height ratio, box body to lid ratio, etc. From your original photos showing the pen as un-capped, the cap looks great alone, and the body looks great alone. I can see how you used the golden ratio in each, although not exact as you mentioned. With the pen capped, the two pieces don't seem to be as balanced. I'm debating in my mind on how to apply the golden ratio on a capped pen like this, since your canvas is long and narrow, and the ratio between the length of the pen body and pen cap don't fit the golden ratio. In other words, should you use phi to design the cap and body separately, or do you apply it with the pen capped? I think with the talents you've shown already on this pen, it's worth exploring this ratio with other design layouts, and even eliminating some of the restricting components of the kit to make that ratio fit even better.
Good luck, and looking forward to seeing more.