Unlike some of yours, there were no nuts used in this pen.:wink:I think it is great Bruce!!!:biggrin:
But please don't tell us how he is 'attached' to the tree:wink:
With his teeth! (2 pins soldered to head)Sorry Bruce but I just gotta ask... I see two hands NOT touching the tree, just how is he hanging on?
Be prepared to be asked this when you show the pen around!
Nice looking pen!
With his teeth! (2 pins soldered to head)
The black areas are created by dipping the piece in warm liver of sulfur - a common technique for working with silver. Actually when you do, everything turns black, but you buff or tumble off the high spots to get them to shine again and the recesses stay dark. Look at some detailed silver jewelry and you'll see plenty of that. And fun - heck yes and also saves in the long run. There's less than $5 worth of pure silver in the clip and the tap and die works well for a custom coupling. A $4 nib and if you don't count the thousands I've spent on tools and classes I'm way ahead of the game.Gotcha, you are having way too much fun in those silver classes. What's with the black areas, is that something you just rubbed in to accentuate the details?
Feel free to substitute the gg for 2 letters of your choice.You sure he's hugging???????????????????
Its a vent hole - I swear it:devil: Don't all fountain pens need one he asks the nib master?Beautiful work, Bruce...although he does look like a member of the knothole gang.
Thanks Mike - Most of my pens these days are one of a kind. I do sell a few, but for the price I would have to charge, you're probably better off learning how to do them. Its not difficult, just a time consuming. If you like doing this type of work, there's a class close to you at the Visual Arts Center in Richmond.That is GREAT Bruce. Do you make any to sell, I would love few of them, to give to tree hugging friends of mine!
Thanks Mike - Most of my pens these days are one of a kind. I do sell a few, but for the price I would have to charge, you're probably better off learning how to do them. Its not difficult, just a time consuming. If you like doing this type of work, there's a class close to you at the Visual Arts Center in Richmond.
Some say that there is a little shrinkage with lost wax but not nearly the way PMC does. Unlike PMC where you are burning away a binder. the lost wax process involves making a plaster-like mold from the wax, burning out the wax and filling the cavity with silver or other metal of your choice. Never thought about the hallmark - hmmmm.Bruce, doing the 'lost wax' method, is there any shrinkage like PMC? If you make things like that regularly, will you be able to get your own hallmark?
Cheers
Also wanted to ask....
You said that 'there is less than $5 worth of pure silver in the clip' Does this mean that the whole clip is pure silver and it only cost $5 or is there other material mixed with it? Like less-pure silver?