Here's one I just finished using the jig devised by Benson (Bob) Pace. Amazing what you can do with a rubber band!
This was done on Maple with six coats of CA at burn 75.
Perhaps the minimal text should include burn times and any other settings. With several postings, this thread will build a good reference in no time!
One for one of my wife's cousins, retired Air Force. Pen is in bloodwood. Posted this in show off your pens but not here where it may be of more interest.
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One for one of my wife's cousins, retired Air Force. Pen is in bloodwood. Posted this in show off your pens but not here where it may be of more interest.
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What did you fill the burn with to make it yellow?
So just a couple questions, does the burn time not change from the blank to a finished pen?Slimline in olive with turquoise inlay.
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Just a tip. Different woods need different burn times depending on the hardness. If I know I am going to engrave a finished pen, I do a trial burn on the blank that I am going to turn the pen from before turning it. That way I can try a couple of different fonts, burn times, etc. and when the pen is done I know exactly what settings to use. Also pay attention to fonts. Some fonts, for example have a very narrow upper case "J" that doesn't burn very well. If I have a "John" to burn, I change to a font with a better formed upper case J.
Slimline in olive with turquoise inlay.
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Just a tip. Different woods need different burn times depending on the hardness. If I know I am going to engrave a finished pen, I do a trial burn on the blank that I am going to turn the pen from before turning it. That way I can try a couple of different fonts, burn times, etc. and when the pen is done I know exactly what settings to use. Also pay attention to fonts. Some fonts, for example have a very narrow upper case "J" that doesn't burn very well. If I have a "John" to burn, I change to a font with a better formed upper case J.