studioso
Member
hello fellow members,
After soaking in as much information as possible through the forums and library, purchasing the triple start tap/die and some drawerful of other tools, and with the help of my newly purchased (used) sherline metal lathe and mill (which are really CNC, but I have yet to decipher the acronym, let alone learn how to use it) I too started to venture into the world of "kitless" pens.
yet what seemed like simple operations in my head, and despite having mentally gone through every step of the process many many times over (I practically dream about tapping blanks) I'm stumbling on the ladder of challenges, hitting every rung on the way down.
(que "chariots of fire" song)
ok, so not including the 2 proto-prototypes, and not including the test drilling, tapping and dying (that's probably not the right verb...) on acrylic rods, this prototype has taken already 4-5 hours of my life -so far. what really gets my neck's hair standing is the fear of somehow cracking the threads on the many opportunities I have given them.
the color is not that elegant, it's a bit too big, but I made it and I love it.
here's a detail:
however, as you can see, there transition between nib holder and body is so-so.
let me tell you about my process:
the outside tenon was first turned down on the metal lathe to .472, then I used the triple start die to thread the front.
-I very lightly touched the first few threads with the skew chisel to give it a slight taper.
the inside was first drilled with a .125 drill, then the front .850 or so were drilled to accomodate the m10x1.0 tap for the elgrande/churchill/canadiana nib. however, the chart recommends a 9.1mm drill, which I don't have (I'm assuming nobody does!) and instead used the closer fraction DOWN, which is 11/32 (11/32 is .344", 9.1mm is .358"). this actually made a very tight fit (despite using enough PAM to supply a Popeye's), end even though I tapped about .750 (with a taper tap) I the nib had a hard time getting in, particularly on the last 2-3 turns.
I would have tried using the closest fraction up, 23/64 (.359) but Murphy had sneaked into my shop and from my trusted 70 drill bit set has taken ONE AND ONLY ONE BIT, the 23/64, hiding it, never to be found.
my main problem, however, is that step right before the nib holder's curve starts. as you can see, that should really be under the threads, somehow. what should I do? if I do find the 23/64, should I simply drill the hole's entrance with it? won't that make the outside threads extremely fragile?
is there a special tool that I can spend more money on that will magically fix this?
can't wait to spend more time on the cap!!
all advice, comments, ideas, congratulations and encouragement very welcome!
After soaking in as much information as possible through the forums and library, purchasing the triple start tap/die and some drawerful of other tools, and with the help of my newly purchased (used) sherline metal lathe and mill (which are really CNC, but I have yet to decipher the acronym, let alone learn how to use it) I too started to venture into the world of "kitless" pens.
yet what seemed like simple operations in my head, and despite having mentally gone through every step of the process many many times over (I practically dream about tapping blanks) I'm stumbling on the ladder of challenges, hitting every rung on the way down.
(que "chariots of fire" song)
ok, so not including the 2 proto-prototypes, and not including the test drilling, tapping and dying (that's probably not the right verb...) on acrylic rods, this prototype has taken already 4-5 hours of my life -so far. what really gets my neck's hair standing is the fear of somehow cracking the threads on the many opportunities I have given them.
the color is not that elegant, it's a bit too big, but I made it and I love it.
here's a detail:
however, as you can see, there transition between nib holder and body is so-so.
let me tell you about my process:
the outside tenon was first turned down on the metal lathe to .472, then I used the triple start die to thread the front.
-I very lightly touched the first few threads with the skew chisel to give it a slight taper.
the inside was first drilled with a .125 drill, then the front .850 or so were drilled to accomodate the m10x1.0 tap for the elgrande/churchill/canadiana nib. however, the chart recommends a 9.1mm drill, which I don't have (I'm assuming nobody does!) and instead used the closer fraction DOWN, which is 11/32 (11/32 is .344", 9.1mm is .358"). this actually made a very tight fit (despite using enough PAM to supply a Popeye's), end even though I tapped about .750 (with a taper tap) I the nib had a hard time getting in, particularly on the last 2-3 turns.
I would have tried using the closest fraction up, 23/64 (.359) but Murphy had sneaked into my shop and from my trusted 70 drill bit set has taken ONE AND ONLY ONE BIT, the 23/64, hiding it, never to be found.
my main problem, however, is that step right before the nib holder's curve starts. as you can see, that should really be under the threads, somehow. what should I do? if I do find the 23/64, should I simply drill the hole's entrance with it? won't that make the outside threads extremely fragile?
is there a special tool that I can spend more money on that will magically fix this?
can't wait to spend more time on the cap!!
all advice, comments, ideas, congratulations and encouragement very welcome!
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