jbg230
Member
Now I know why it's easier to have more pen blanks than pen kits. It's because sometimes the blanks are better looking just being blanks than they are being part of a pen.
So I'm starting to appreciate that not only is there an art and skill to the turning and to matching a particular pen kit to a particular blank, but there must also be an art/skill in trying to visualize what the blank will look like after it's turned. Or is there some degree of luck as to what's hidden on the inside of some blanks?
Certainly this concept really only pertains to blanks like the worthless wood blanks by Exotic Blanks, some acrylics, and the burls and spalted blanks that seem to trick you since it's hard to know if the inside looks like the outside.
So I'm starting to appreciate that not only is there an art and skill to the turning and to matching a particular pen kit to a particular blank, but there must also be an art/skill in trying to visualize what the blank will look like after it's turned. Or is there some degree of luck as to what's hidden on the inside of some blanks?
Certainly this concept really only pertains to blanks like the worthless wood blanks by Exotic Blanks, some acrylics, and the burls and spalted blanks that seem to trick you since it's hard to know if the inside looks like the outside.