Renaissance Wax

Signed-In Members Don't See This Ad
See more from Wheaties

Wheaties

Member
Joined
May 8, 2009
Messages
714
Location
Omaha, NE
I have a large flat piece of wood that will be a clock. I want to finish it with Renaissance Wax after sanding. Should I apply by hand or use a power buffer? If buffer, then what kind? Like a car buffer?

Thanks
 
Signed-In Members Don't See This Ad

mrcook4570

Member
Joined
Mar 27, 2005
Messages
4,098
Location
Mason, WV, USA.
What kind of wood is it? I ask, because if it is a dark wood, the wax will leave a white residue in the pores. It will in light woods also, but it will not be noticeable there.
 

Wheaties

Member
Joined
May 8, 2009
Messages
714
Location
Omaha, NE
What kind of wood is it? I ask, because if it is a dark wood, the wax will leave a white residue in the pores. It will in light woods also, but it will not be noticeable there.


It is Tasmanian Myrtle.

I also have a smaller piece of Red Mallee that I was hoping to use it on as well.
 

Texatdurango

Member
Joined
Apr 23, 2007
Messages
4,649
Location
Show Low, Arizona
I have a large flat piece of wood that will be a clock. I want to finish it with Renaissance Wax after sanding. Should I apply by hand or use a power buffer? If buffer, then what kind? Like a car buffer?

Thanks

I know you didn't ask for opinions so excuse the post if not appropriate but I can think of a dozen waxes to use that would be better than Renaissance wax.

I've been making furniture for close to 30 years now and have used wax finishes on quite a few pieces. I've had great success with the likes of MinWax paste finishing wax which is developed to provide protection to pieces that I just don't see Renaissance wax doing. I started using Renaissance wax on my pens a while back but don't see where it provides any protection other than keeping finger prints to a minimum. I use an 8" buffing bonnet chucked into a hand drill motor when buffing Minwax and would assume it would work as well with Renaissance if there was a thick enough coat to keep you from buffing down to bare wood.

Another benefit is the Minwax is about $7 for a huge can while Renaissance is around $24 for a small 200ml can.

That's my $.02 :)
 

bitshird

Member
Joined
Aug 27, 2007
Messages
10,236
Location
Adamsville, TN, USA.
I think George is right about the best thing to be said for Renwax, it does keep the fingerprints down on pens, and "POSSIBLY" adds a tiny bit of shine but not really discernible, it's really more of a protective surface treatment. I haven't tried it, but I've heard several folks say Kiwi natural paste shoe polish is almost the same thing.
 

Gary Max

Member
Joined
Oct 30, 2004
Messages
6,224
Location
Southern Kentucky
Another vote for Johnson's----they have been around forever. I use it on some of my bowls/vases that I want more of a natural finish. I use my 12 inch buffer to bring out the shine.
 

jttheclockman

Member
Joined
Feb 22, 2005
Messages
19,160
Location
NJ, USA.
Zach

What are trying to do with the wax?? Are you looking to add color or just give it a natural feel. Does the wood have alot of voids or is it an open grained wood?? What type clock is it??? I agree Ren wax is not the wax for wood of that type. Did you apply a finish before the wax and if so what??

I have done clocks and other woodworking projects where I just used Watco Danish oil and then applied Watco wax. Gives a nice warm sheen and holds up well. Clocks do not get handled like pens do.
 

PapaTim

Member
Joined
Dec 24, 2008
Messages
449
Location
Gainesboro, TN
I know you didn't ask for opinions so excuse the post if not appropriate but I can think of a dozen waxes to use that would be better than Renaissance wax.

I've been making furniture for close to 30 years now and have used wax finishes on quite a few pieces. I've had great success with the likes of MinWax paste finishing wax which is developed to provide protection to pieces that I just don't see Renaissance wax doing. I started using Renaissance wax on my pens a while back but don't see where it provides any protection other than keeping finger prints to a minimum. I use an 8" buffing bonnet chucked into a hand drill motor when buffing Minwax and would assume it would work as well with Renaissance if there was a thick enough coat to keep you from buffing down to bare wood.

Another benefit is the Minwax is about $7 for a huge can while Renaissance is around $24 for a small 200ml can.

That's my $.02 :)

According to RENAISSANCE Wax:
Guard your precious pieces against the damaging effects of humidity, heat, dust, environmental destruction, aging and ordinary wear.
RENAISSANCE WAX provides a barrier against fingerprints and the devastation of water, wine, alcohol and other spills. With its high moisture resistance, it forms a durable, lustrous protective coating. Prevents tarnish, corrosion and "bloom;" remains completely waterproof; retards weathering on exteriors and objects exposed to climatic abrasion.
I know some of this may be hype but I find it hard to believe that so many prestigious museums would use it to protect both wood and metal objects in their collections if paste wax were superior.
Prior to 1950, the only polishes available were based on beeswax and carnuba wax. Unfortunately, these natural, saponifiable products could cause damage when acids arose spontaneously through oxidation or hydrolysis. To solve the problem, a consortium of international conservationists directed a scientist from the British Museum to conduct research and find the "perfect wax." When he could not find any that met their exacting standards, he created a new wax in his laboratory. The revolutionary formula he invented is a semi-synthetic microcrystalline fossil-origin wax entirely free of, damaging acids.
It remains chemically neutral and is therefore completely safe, even on vulnerable surfaces.
The British Museum approved manufacture for its own use and for distribution to the public. That "perfect wax" is now available internationally under the name RENAISSANCE WAX.
JMHO
 

glycerine

Member
Joined
Aug 7, 2009
Messages
3,462
Location
Fayetteville, NC
According to RENAISSANCE Wax:

I know some of this may be hype but I find it hard to believe that so many prestigious museums would use it to protect both wood and metal objects in their collections if paste wax were superior.

JMHO

Well, I think one difference is that we're talking museum pieces here. Pieces that will probably not be handled everyday like a pen. I think that's where George is coming from, he saying there are better finishes to put on things that will be used everyday like furniture or a writing instrument.
I personally can't say either way as I usually use a CA finish and have only used Renaissance wax once for a gift pen... so hopefully it's holding up!
 

Texatdurango

Member
Joined
Apr 23, 2007
Messages
4,649
Location
Show Low, Arizona
According to RENAISSANCE Wax:

I know some of this may be hype but I find it hard to believe that so many prestigious museums would use it to protect both wood and metal objects in their collections if paste wax were superior.

JMHO

Hype, well, that's another story in itself! A year or two ago there was quite a bit of discussion as to whether the claims Renaissance was making were actually true or not. If memory serves, there were documents floating around supposidly written by museum folks that disputed the Renaissance claims.

That aside, I simply stated my opinion, as others did, nothing to make a big deal over. If I had a pen that I wanted to rub a tiny amount of wax on to give it a little gloss or to help fight fingerprints I would use Renaissance wax, I have several cans around the shop and house but I just think it has it's place, just like a good paste wax, which I wouldn't apply to my pens.
 

Wheaties

Member
Joined
May 8, 2009
Messages
714
Location
Omaha, NE
Thanks for the replies everyone! I think after reading all your posts I will use another type of finish. Maybe an oil finish or a paste wax. Very helpful as always! Thanks again!
 

KenV

Member
Joined
Oct 28, 2005
Messages
4,720
Location
Juneau, Alaska.
Prior to 1950, the only polishes available were based on beeswax and carnuba wax.

Yup -- inspite of long standing traditional use, beeswax is not good stuff to put on wood. Beats nothing, but that is about all. Beeswax attracts moisture. (It is all the organic esters and other components of bees wax - and I used to be a bee keeper and love beeswax for candles).

microcrystalline fossil-origin wax = comes from crude oil (love this one as supreme marketing choice of words).

There are a lot of superior wax products available -- including a number of synthetics made to protect special surfaces on cars and boats that work on the finishes on top of the wood.
 

DCBluesman

Passed Away Mar 3, 2016
In Memoriam
Joined
Aug 22, 2004
Messages
7,679
Location
WOODBRIDGE, VIRGINIA
According to RENAISSANCE Wax:

I know some of this may be hype but I find it hard to believe that so many prestigious museums would use it to protect both wood and metal objects in their collections if paste wax were superior.

JMHO

This is the full text of a mssage I received a few years back from the British Museum. Take it for what it's worth. :rolleyes:

Dear Mr Metcalf,

My apologies for taking some time to reply to your enquiry regarding Picreator Enterprises' 'Renaissance Wax', I have been making some enquiries amongst my colleagues in Conservation here at the Museum. This product is indeed used in the Department on certain materials and types of object. It is not employed very frequently and is used very sparingly, but it has some applications under certain circumstances and has been applied to various types of historical metalwork (such as arms and armour), some types of wood and leather and some types of stone.

The product's connection with the British Museum seems to originate in the early seventies. It is mentioned as a footnote to an appendix describing recipes for microcrystalline polishing waxes in 'The Conservation of Antiquities and Works of Art' (2nd ed.), by Plenderleith and Werner (former Keepers of the British Museum Research Laboratory), Oxford University Press, London, 1971.

Yours sincerely,

Marilyn Hockey

Head of Ceramics, Glass and Metals Section (temp.)
Dept. of Conservation, Documentation and Science
The British Museum
Great Russell Street
London
WC1B 3DG
United Kingdom

Tel: +44 (0)20 7323 8344
Fax: +44 (0)20 7323 8636
 
Top Bottom