drferry
Member
I have worked my way through the finishes, starting with brush-on lacquer, through Enduro, and now to CA/BLO. Here are my thoughts:
Brush-on lacquer was extremely difficult to apply without running. We finally improvised a rotisserie made for turing meat over a grill to put the blanks on and let them turn slowly until dry. (NOT over the grill, by the way!) I usually applied 7 coats, which, with at least several hours between coats, took forever. The other problem was that lacquer is brittle and tended to crack, particularly at the ends of the blank or if the pen was dropped.
Enduro was a great step in the right direction, and I used it for nearly a year. I ended up putting on 6 coats of sanding sealer and 10 coats of the glossy, with a day to dry between the two finishes and another before I sanded. I also sanded the sanding sealer before using the glossy top coat. I started with 600 grit and went to MM 12,000. Then I used the Beall buffing system with all three wheels and polishes (Tripoli, white diamond, and carnuba wax). I was able get out all of those tiny little imperfections with the buffing system. However, although Enduro started out with a great finish, glossy as the dickens, over the next weeks to months, the finish slowly became less glossy and turned rather dull. I had clearly given Enduro a thorough try, what with 16 coats plus buffing.
I am now using CA/BLO, although I hate the fumes and, as others have said, it is finicky. The best I have found so far is using a few drops of BLO followed by thick CA, followed by 3 more applications of BLO/CA. I am not yet convinced what BLO is supposed to be doing, but I'm going with the 5 or 6 tutorials that I read or watched. The problem with CA, to me, is that it tends to have small bubbles in it, that I spent a long time popping with a thin piece of wire. Bubbles are extremely apparent on dark woods. Finally, I hit on spreading the CA with the impervious paper back side of a piece of sandpaper, moving it around just enough to eliminate the larger ridges. I no longer touch a paper towel to the wood except for the BLO. This results in very few bubbles.
I use a skew to trim off excess CA down to a smooth surface before I start sanding with 400 and on through MM 12,000. I then use the same Beall buffing technique on every blank.
Finally, I think it is of critical importance to carefully part the blank right down to the bushing to cut the hardened CA on both ends, otherwise you can crack the CA when twisting off the bushing.
The result is at least 1 mm or more thick rock-hard finish that is incredibly glossy. I was amazed that a finish could look this good, and everyone of my friends has noticed the change in the look and feel of my pens. I even tried this on African Blackwood, and, so far at least, it looks great. It would have been easier had I listened to all of the advice from the old-timers on this forum and used CA/BLO sooner.
I think everyone has to go through a long learning curve to be able to get the finish they are looking for.
David
Brush-on lacquer was extremely difficult to apply without running. We finally improvised a rotisserie made for turing meat over a grill to put the blanks on and let them turn slowly until dry. (NOT over the grill, by the way!) I usually applied 7 coats, which, with at least several hours between coats, took forever. The other problem was that lacquer is brittle and tended to crack, particularly at the ends of the blank or if the pen was dropped.
Enduro was a great step in the right direction, and I used it for nearly a year. I ended up putting on 6 coats of sanding sealer and 10 coats of the glossy, with a day to dry between the two finishes and another before I sanded. I also sanded the sanding sealer before using the glossy top coat. I started with 600 grit and went to MM 12,000. Then I used the Beall buffing system with all three wheels and polishes (Tripoli, white diamond, and carnuba wax). I was able get out all of those tiny little imperfections with the buffing system. However, although Enduro started out with a great finish, glossy as the dickens, over the next weeks to months, the finish slowly became less glossy and turned rather dull. I had clearly given Enduro a thorough try, what with 16 coats plus buffing.
I am now using CA/BLO, although I hate the fumes and, as others have said, it is finicky. The best I have found so far is using a few drops of BLO followed by thick CA, followed by 3 more applications of BLO/CA. I am not yet convinced what BLO is supposed to be doing, but I'm going with the 5 or 6 tutorials that I read or watched. The problem with CA, to me, is that it tends to have small bubbles in it, that I spent a long time popping with a thin piece of wire. Bubbles are extremely apparent on dark woods. Finally, I hit on spreading the CA with the impervious paper back side of a piece of sandpaper, moving it around just enough to eliminate the larger ridges. I no longer touch a paper towel to the wood except for the BLO. This results in very few bubbles.
I use a skew to trim off excess CA down to a smooth surface before I start sanding with 400 and on through MM 12,000. I then use the same Beall buffing technique on every blank.
Finally, I think it is of critical importance to carefully part the blank right down to the bushing to cut the hardened CA on both ends, otherwise you can crack the CA when twisting off the bushing.
The result is at least 1 mm or more thick rock-hard finish that is incredibly glossy. I was amazed that a finish could look this good, and everyone of my friends has noticed the change in the look and feel of my pens. I even tried this on African Blackwood, and, so far at least, it looks great. It would have been easier had I listened to all of the advice from the old-timers on this forum and used CA/BLO sooner.
I think everyone has to go through a long learning curve to be able to get the finish they are looking for.
David