Sweet looking pen, Greg! Your photo skills are coming along well, too!
If you'll permit me to interject my two pennies: For me, with the mirror thing, what I try to do is get the pen far enough away from the background vertical that it blurs out on the horizontal plane. I think your prop is fine, since it's not finished and the dullness/rough cut of it makes it enough of a separate entity from the pen, but the background grain definition in the reflection is what's ultimately distracting from the picture as a whole. See towards the bottom of the picture how the depth of field causes the background to go blurry so you only see color 'splotches' without actual texture definition? That's what I like to get under the whole pen.
By dragging the pen and prop forward towards the camera, you're increasing the depth of field, but you have to figure out how to set the camera back, too, which can be a challenge in smaller workspaces. Doing that, you're also eliminating the 'joint' between the mirror and the background, which makes the pen and prop look like they're just floating in a 'wood' lake. The reflection of the pen that looks tripled is from the 3 reflections that you're getting off the face of the mirror glass, the 'underside' glass plane, and the mirror silvering below that.
Fixing your sharpness issue is just a matter of image compression. Any camera that'll do at least a megapixel or two should be able to create a 800 pixel wide image without having to stretch the image, which is what your photo looks like it went through, that's why you have the 'raggedy' edges and stuff.
Also, I know we have image size restrictions on what we can host here on IAP due to bandwidth. I'd be happy to explain how to set up your own server, hosting your own pictures (and eventually your own website) for about $5 a month on a lightening fast server. Then it's just a matter of linking to the pictures you post rather than suck up juice from the forum to display nice inline images. It's not nearly as complicated as it seems, and I plan to do a tutorial on that kind of thing eventually, but for now, working on an individual basis is fine with me. I'm no where near the photographer that Gerry is, and I've had to find some nice shortcuts with my old Nikon 3.2 Mp dinosaur. PM me if you want to hear more...there's not much I can do to help you with your camera settings except point you to Gerry's tutorial, but the software side of it I'm pretty good at, and it doesn't take much to get it set up. That goes for everyone, I guess...if you want help, I'm here. I'll do my best...perhaps that tutorial isn't such a bad idea after all...might save a little time, but I don't mind working the bugs out on an individual basis to start with.
Overall, great job, though! You're very close to stunning, both with your turning and your photos.
Keep after it, it'll be worth it, I promise! heh