Curtis' "Worthless Wood" tutorial test (long)

Signed-In Members Don't See This Ad
See more from stevers

Status
Not open for further replies.

stevers

Member
Joined
Dec 18, 2005
Messages
2,991
Location
Bullhead City, Az., USA.
Hi All,
I'm going to post this in two forums, Casting and Stabilization and Show Off Your Pens. I feel this should be seen by as many of us as possible. The info and techniques I learned in Curtis' (MesquiteMan) tutorial have opened some awesome doors for me.
http://www.penturners.org/forum/topic.asp?TOPIC_ID=26599

I had about 50 or so Eucalyptus Burl blanks which I obtained while on the job. I found the large burl on the side of a tree I was cutting down. The Euc burl is so punky and full of voids, it is impossible to turn without some sort of stabilization. I turned a hand full using CA. It was slow and used a lot of CA. Not to mention how messy it was. I used Curtis' Worthless Wood tutorial on one a few days ago and got very promising results. Of course, it needed improvement. There were still some very small voids inside the blank which showed up when I turned it. They were easy enough to fill with CA. Seeing real possibilities with the process, the other night I cast three molds of blanks. Two small molds with one each of red and green opaque PR. And one larger mold with a yellow PR, closer to amber.
2007894584_uec%20burl%20castings%20600.jpg



Tonight I tuned the red ones. I cut them to size, drilled them, glued in the tubes and mounted them on the lathe. They are being turned as Euro's. One of the most impressive things I have found, with the earlier blanks and these, is how easy they are to turn. I got very aggressive with these blanks. Even when bringing them to round. I wanted to test them, so I laid into them quite heavily. And I realize the ease in which they turn, will have to do with the way I mix my PR. Which is 3 drops per ounce, actually 8 drops for 3 ounces in the small molds. It is like the best of both worlds between wood and PR.
One thing I did notice is that once you get down to the finish, the wood and the PR react differently to the finish steps. I chose to put on some CA for a top coat. By the time I reached MM, some of the CA over the stubborn wood ares was thin. I just applied a couple more coats of CA and it was fine. I have had trouble with this wood since I first tried to use it. It absorbs the CA at different rates and that makes it difficult to get a consistent finish. This pen is still an experimental piece and it has a couple of very small holes in the finish.
20078951610_Euc%20burl%20in%20PR%20Euro%20600.jpg



I am actually considering a double cast idea. Cast and turn it just under size, then cast a very thin coating over that to insure a perfect top coat. Just an idea to help me deal with this punky burl. It is a pain in the a_ _ to work with, but the results are gorgeous.

Here is a shot of the first blank I turned. It was to be a cigar. Look at the depth in which the PR penetrated, all the way to the tube. And this started out at least a 13/16 or better blank.
20078952451_Euc%20burl%20in%20PR%20600.jpg



Curtis, I will say it again, thanks for researching this and developing the techniques to make it work. This is a big wood savor for me.
And the rest of you out there that are thing about doing this, do it, it's worth it. If you have some stubborn burls around and don't want to loose it or cant afford to send it off to be treated, this is for you!
 
Signed-In Members Don't See This Ad

armyturner

Member
Joined
Sep 1, 2006
Messages
425
Location
Oil Trough, AR, USA.
Steve, the blanks look great. There is something else that you might try in order to get the PR into the small voids. Mr. Fiberglass sells a product called Styrene. It is used to thin the PR in order to be able to spray it. I have some but have not had the chance to try it yet. I intend (if I ever get around to it) to use it when I try to PR stabilize some corncobs, as I don't think that the PR will get into the voids of the cob without being thinned.
 

MDWine

Member
Joined
Mar 22, 2005
Messages
2,693
Location
Manassas Park, Virginia, USA.
EXCELLENT post! I assume you're using pressure in a paint pot, yes? I also like the thought of being able to thin the resin a bit, especially in regard to the corn cob! It certainly give one much to think about!!
 

Rmartin

Member
Joined
Jan 14, 2007
Messages
1,263
Location
Columbus, Ga, USA.
I have some Rappahannock Blue Oak which would be a perfect candidate for this process. I turned a few pieces, and it's like turning shredded wheat.

Thanks for posting
Rmartin
 

stevers

Member
Joined
Dec 18, 2005
Messages
2,991
Location
Bullhead City, Az., USA.
Go to the link and you'll find MesquiteMan's tutorial. It'll explain all the details. This was a test of Curtis' procedure. He deserves all the credit for this system.
Thank you.
 
Status
Not open for further replies.
Top Bottom